{"id":35210,"date":"2024-09-04T18:09:01","date_gmt":"2024-09-04T18:09:01","guid":{"rendered":"https:\/\/us.pluginsmasters.com\/product\/the-pentodian-resonator-choir-hideaway-studio\/"},"modified":"2024-09-04T18:09:01","modified_gmt":"2024-09-04T18:09:01","slug":"the-pentodian-resonator-choir-hideaway-studio","status":"publish","type":"product","link":"https:\/\/us.pluginsmasters.com\/product\/the-pentodian-resonator-choir-hideaway-studio\/","title":{"rendered":"The Pentodian Resonator Choir – HIDEAWAY STUDIO"},"content":{"rendered":"

System Requirement for The Pentodian Resonator Choir – HIDEAWAY STUDIO<\/span><\/p>\n

MacOS :<\/p>\n

Kontakt Version Required:
\n4.2.4 Full Version (Not for Kontakt Player)<\/p>\n

Windows :<\/p>\n

Kontakt Version Required:
\n4.2.4 Full Version (Not for Kontakt Player)<\/p>\n","protected":false},"excerpt":{"rendered":"

The Pentodian Resonator Choir<\/strong><\/p>\n

12 Unique Synthetic Choirs.<\/p>\n

Product Overview<\/strong><\/p>\n

A selection of twelve unique synthetic choirs made up of 215 hand crafted vocal formants.<\/p>\n

At least 50% of the samples in this collection were created using little more than a handful of discrete circuits and vintage lab gear all processed with vintage classic analog and tube technology and brought together in the same proven 4-voice layering engine as the Orbitone library….<\/p>\n

Overview<\/strong><\/p>\n

Captured By Hand<\/strong><\/p>\n

Well over 100 samples were painstakingly captured by hand configuring the equipment for each note and then sampling the results. The samples were further EQ’d and loaded into multi-samples.<\/p>\n

Some of multi-samples were further processed with an analog chorus unit.<\/p>\n

Details<\/strong><\/p>\n

The Celestial Choirs featured in The Pentodian Choir started off life as little more than a series of short pulses created by an old hand-configured analog lab signal generator. The frequency of the pulse train was gently modulated using the swept oscillator function to act as a vibrato.<\/p>\n

The pulses were converted into exponential ramps using a passive wave shaper circuit similar to those found in early string synths and the resulting sawtooth fed into a Triple Passive L\/C Resonator circuit based on the 1938 Novachord formant resonator section. This is little more than three coils of wire and three capacitors.<\/p>\n

The resulting waveform was then impedance buffered using the entire vertical signal path of a 1968 Tektronix 545B tube oscilloscope! The output from the vertical signal output socket was then fed into a prototype tube overdrive unit and into a tube equaliser.<\/p>\n

Download Contents:<\/p>\n